Back in Black
SG into a cranked Marshall Super Lead, everything at noon. Pure amp overdrive, no pedals, no tricks.
View tone cardBrain Stew
Tight, dry punk crunch with strong midrange bite. A Strat-style body and hot bridge humbucker into a modded Marshall. All amp, no pedals.
View tone cardDo I Wanna Know?
Dark, thick and slightly fuzzy with a hard, dry attack. Valve distortion into a 1960s British combo, with the drive coming from the pedal rather than the amp.
View tone cardEnter Sandman (Clean Intro)
Clear and articulate with a Heavenly Chorus shimmer, on a Silver Panel Combo. The opening figure before the band arrives.
View tone cardEnter Sandman (Distorted Intro)
Tight, scooped and heavy on a Modern American Stack, with a low E that keeps its shape.
View tone cardParadise City (Intro)
Clean, spacious arpeggios with a restrained chorus shimmer, half a step down. Built on a clean combo rather than the distorted Marshall.
View tone cardShine
A gritty drop D-flat riff on the Small Tweed Combo, with a Vintage Drive in front and a Ribbon 121 on the cab.
View tone cardSweet Child O' Mine
Warm, vocal and mid-heavy with smooth sustain. Neck humbucker with the tone rolled back, straight into a cranked Marshall.
View tone cardu + me = <3
Bright and chiming on a Silver Panel Combo, with Heavenly Chorus feeding long Blue Echo trails.
View tone cardMore coming soon. Each one gets researched properly before it goes up, and that's the whole point.